Their remarks put realism on its true ground. Realism does not have to serve or to illustrate some sordid and monotonous design of reality, nor indeed any other conception of reality. His case is the natural, common sense (the whole story to be told well, needs a natural storyteller and a lot of sense), and it is mainly up to the invisibility of the means used to depict, through history, reality. It is sometimes said, without thinking, that realism in the cinema bar the road to the invention. Nothing more wrong: far from bar his way, realism seeks and welcomes any inventions that may detract a little more technical nature of the film, and its inevitable fragmentation in favor of history in favor of reality and continuity of history. We can not emphasize enough.
Lourcelles Jacques, Allan Dwan , Presence Film No. 22-23, outono 1966, p. 10
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